A Musical Interlude
If you asked me to list my Top 10 “go to” classical music pieces, I’d start by opening up iTunes and taking a gander at what I’ve listened to the most. High up the list you’ll see Bach (Chaconne), Tallis (anything), Pärt (Magnificat), the incredibly romantic middle movement from Chopin’s piano concerto #1, and Beethoven’s violin concerto –in short, a real mix from across the centuries and all stuff that I go back to time and time again.

One genre that’s under-represented is Baroque, a style probably most closely associated with German (Bach) and Italian (Vivaldi) composers. Bach’s the best known and the most accomplished composer of the Baroque era, rightfully revered as an astonishing musical innovator. Whilst I love much of his music, particularly the solo violin and cello works, I couldn’t listen to the entirety of the Goldberg piano variations in one sitting; there’s a bit too much mathematical twiddling around for me to maintain focus for more than 20 or so minutes.
Continue reading “A Handel on Something Baroque”